← Karl Georr / All projectsLITOS · Project story
Objects / Heritage / 3D printing

SALT & PEPPER

A pair of everyday objects carrying a memory of Lebanese history.

From figurine to table object ↓
ORIGIN / FORM / PRINT
AN EVERYDAY RITUAL
A study in
two silhouettes.
Original LITOS poster with gold, mint and black printed salt and pepper shakers against a field of design sketches
Original project poster · photographed printed objects and process sketches
CONTEXT / MUSEUM-SHOP DESIGN BRIEFMATERIAL / TPU 95APROCESS / 3D PRINTING
01 / Distilling the form

From figure
to function.

The drawings follow a deliberate reduction. A human outline becomes a vessel; headwear becomes a profile; a base becomes both a stabilizing element and the point where the object separates.

Pencil study translating a figurine into tapered and flared silhouettes
01 / Reading the figure
Pencil studies of the two shaker forms and their lower sections
02 / Establishing the pair
Pencil sketch studying the two-part construction of LITOS
03 / Separating the parts
02 / A contemporary interpretation

Heritage that
joins the table.

The project brief was to design a functional, 3D-printable object for the National Museum of Beirut’s shop: something that could connect Lebanese heritage with contemporary design and speak to both local visitors and tourists.

LITOS answers with a salt-and-pepper pair. The museum-shop context is the design brief; the project is presented here as an independent design proposal.

LITOS salt and pepper set, one tapered and one flared, with contrasting black and mint bases
Final design render · two silhouettes, one family
03 / The original insight

Identity can live
in a silhouette.

The research began with Phoenician figurines from Byblos. What mattered was their concentrated visual presence: a vertical body and distinctive headwear, recognizable without elaborate detail.

That observation became the design rule. Keep the identifying gesture; let the geometry become simple enough to hold, refill and print.

Presentation study of the historic Phoenician figurines that inspired LITOS
Original project presentation · historical reference and inspiration, not project objects
04 / The object in the hand
FORM STUDY / 02ASSEMBLED ↔ OPENED
LITOS pair assembled, with gold upper shells and contrasting basesExploded view of the gold upper shells and contrasting black and mint lower parts
Design render · separable upper and lower components

Same presence.
New purpose.

01

A stable lower body

The bases ground the tall forms and distinguish the pair through color.

02

Two distinct crowns

One form tapers upward; the other opens into a shallow flare. Each remains legible as part of the family.

03

Function at the top

The dispensing openings complete the transition from symbolic figure to everyday shaker.

Top view of LITOS showing the dispensing openings
Final design render · the two dispensing surfaces
05 / Production and identity

A digital process.
A tangible object.

The project specifies TPU 95A and develops the forms for 3D printing. The archive includes closure trials, separate salt and pepper components, final print files and the printed pair shown in the poster.

The name LITOS is derived from lithos, stone. Its drawn wordmark gives the compact objects a second identity, carried into the final presentation.

Original LITOS production slide with the print preparation screen
Original project presentation · recorded print preparation; figures belong to that project configuration
Original LITOS salt and pepper wordmark
Original project identity · the flowing underline joins the letters
06 / The result

History, within
everyday reach.

LITOS brings its reference into an ordinary domestic ritual. It preserves the relationship between two figures while giving them a useful place at the table.

The outcome is a developed pair of shakers, with form studies, print trials, a printed prototype and a complete project identity.

LITOS pair in the final gold, mint and black color scheme
Final design render